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OUGHT - Room Inside The World (Indie Exclusive White Vinyl Edition) LP
OUGHT - Room Inside The World (Indie Exclusive White Vinyl Edition) LP


 
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On Room Inside the World—Ought’s third album and their first for Merge—growing up doesn’t mean mellowing out so much as it means learning to pay attention, listening carefully and openly, staying somewhere long enough to really understand where you are. Recorded at Rare Book Room in Brooklyn with producer Nicolas Vernhes (Deerhunter, Animal Collective, Silver Jews), Room Inside the World explores themes that have always concerned the band—identity, connection, survival in a precarious world—but with a bolder, more nuanced sound palette. Vibraphone, justly intonated synthesizers, drum machines, and a 70-piece choir suffuse the precise post-punk breakdowns that spangled Ought’s first two albums, giving rise to an emotional complexity that pushes their characteristically taut sound to greater depths.
Ought approached this record with newfound patience. Together, they constructed a (digital) moodboard to set their intentions: Brian Eno and Stereolab synths, the Mekons’ 1985 album Fear and Whiskey, and Gerhard Richter and Kenneth Anger’s sexy, fluorescent hyperreal all made it into the melting pot. “The process of everybody wading into each other’s subconscious was really excellent,” says frontman, guitarist, and lyricist Tim Darcy. Holed up in their rehearsal building, an industrial rock block (and sock factory) overlooking the Trans-Canada Highway, the band strove for greater detail and specificity than before while remaining true to the collaborative, intuitive writing process that yielded their earlier work.
On standout track “Desire” (which bassist Ben Stidworthy describes as “Sade meets Bruce Springsteen”), Darcy sings, “I’m trying to be cool regardless of what I know to be true,” and it is true: they do keep their cool, eschewing the white-knuckled panic that rips through Sun Coming Down and the Spartan realism of More Than Any Other Day in favor of a controlled burn. The word “trying” is key—the band’s characteristic elevated pulse and drive-off-a-cliff endings still show up on the Cure-inspired “Disaffectation,” while the rollicking, insistent snare on “Into the Sea” seethes impatiently over lyrics about the tension between the individual and the often toxic outer world.

out 16 FEB 2018...