Max Richter’s ninth solo album, In A Landscape, is a fleeting self-portrait of a musician in constant motion. It is a record about bringing together the electronic and the acoustic, the human and the natural world, the big questions of life and the quiet pleasures of living. The creative process was deliberately minimal, with Richter writing notation by hand and restricting his palette to just a few colors: string quintet, grand piano, Hammond organ and MiniMoog, plus tape delays, vocoders and reverbs.